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Arthur Tress

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Arthur Tress :: Bio

Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Source: www.arthurtress.com Arthur Tress lives and works in San Francisco

Arthur Tress :: curriculum vitae

Selected Exhibitions Solo: Arthur Tress: Rambles, Dreams, and Shadows: The Getty Center, Los Angeles 2024 Arthur Tress | The Tip of the Iceberg: Stephen Bulger Gallery, Toronto Canada 2022 Arthur Tress Vintage: CLAMP, New York 2006 Arthur Tress: The Wurlitzer Trilogy: Center for Creative Photography, Tuson 2002 Selected Exhibitions Group: In black & white: new display of the collections: Musée Réattu, Arles, France 2024 Moves Like Walter: New Curators Open the Corcoran Legacy Collection: American University Museum, Washington DC 2019 Forever Coney: Photographs from the Brooklyn Museum Collection: Brooklyn Museum of Art Brooklyn, 2016 Private Collections Exposed: Center for Photographic Art, Carmel 2014 Duane Michals / Arthur Tress / Juliette Bates: Fictions: Galerie Esther Woerdehoff, Paris France 2014 Reality Revisited: Moderna Museet, Stockholm Sweden 2009 Dream/Reality/Dream:Museum of Modern Art, New York 1977 Selected Collections: Bibliothèque nationale de France, Paris Centre Georges Pompidou, Paris George Eastman Museum, Rochester, New York Honolulu Museum of Art, Honolulu Los Angeles County Museum of Art, Los Angeles, California Metropolitan Museum of Art, New York Museum of Contemporary Photography, Chicago, Illinois Museum of Fine Arts, Houston, Texas San Francisco Museum of Modern Art, San Francisco, California Whitney Museum of Art, New York

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